Understanding The Requirements For Auto Insurance Reading Pa

byAlma Abell

Driving a car has become a necessity for so many people. There are family errands to run such as grocery shopping, doctor visits and dental appointments to keep. Plus, there are a variety of daily trips we have to make like taking the children to school and ourselves to work. However, just owning a car isn’t enough to handle these tasks because it requires a certain level of personal responsibility to sit behind the wheel of an automobile. Interestingly, most states have realized this and have mandated requirements for specific minimum insurance coverage to protect both the owner and any other parties involved in automobile accidents.

Unfortunately, there are no standards between the different state’s requirements so it it up to the individual to discover exactly what they need to be in compliance for Auto Insurance Reading PA. As a Pennsylvania driver you need a minimum coverage for bodily injury liability, property damage liability, uninsured motorist coverage and first party benefits for medical payments. Because insurance coverage is liable to change it is difficult to specify the exact dollar amounts you will need and it is best to discuss these concerns with a licensed insurance agent.

These coverage types are pretty self explanatory for example, the liability coverage is there to help pay for any damages you may cause to another person’s health or vehicle. The uninsured motorist coverage is a balance to help cover damage caused by an uninsured motorist, however, at the time of this writing you can request to reject the uninsured motorist coverage.

The first party benefits could be the most important part of Auto Insurance Reading PA. It’s designed to assist any injured parties with a variety of medical benefits. While there is a minimum amount of coverage you are required to have there are a variety of options you can select from. Selecting from all the available insurance choices can be really difficult which is why smart insurance agencies like Chester Perfetto Agency, Inc. have websites available for interested customers.

Who’s the richest entertainer in Australia? The Wiggles of course!

Saturday, April 9, 2005

The top money grossing entertainers in Australia in 2005 were not Kylie Minogue, Nicole Kidman, or Russell Crowe. In fact, it was four tot-time entertainers, the Wiggles, with their preference for bright colours and sing-along dance numbers. Their earnings level was estimated at AU$45 million over the last year by Australian publication Business Review Weekly (BRW), in its yearly who’s-who ranking of the nation’s top 50 entertainment earners.

“They got into the market early, they took time to understand their audience, not only children but the parents who pay for everything,” BRW managing editor Tony Featherstone, said.

Though almost doubling her earnings from the previous year, Nicole Kidman only made second place, at AU$40m. And Crowe came in third, at “only” AU$27m. Fourth place was long-time heavy metal favourites, AC/DC, whose estimated income was AU$18m.

Another children’s entertainment band, Hi-5 came in sixth with $15m, after Naomi Watts.

Asbestos controversy aboard Scientology ship Freewinds

Friday, May 16, 2008

Controversy has arisen over the reported presence of blue asbestos on the MV Freewinds, a cruise ship owned by the Church of Scientology. According to the Saint Martin newspaper The Daily Herald and the shipping news journal Lloyd’s List, the Freewinds was sealed in April and local public health officials on the Caribbean island of Curaçao where the ship is docked began an investigation into the presence of asbestos dust on the ship. Former Scientologist Lawrence Woodcraft supervised work on the ship in 1987, and attested to the presence of blue asbestos on the Freewinds in an affidavit posted to the Internet in 2001. Woodcraft, a licensed architect by profession, gave a statement to Wikinews and commented on the recent events.

According to The Daily Herald, the Freewinds was in the process of being renovated by the Curaçao Drydock Company. The article states that samples taken from paneling in the ship were sent to the Netherlands, where an analysis revealed that they “contained significant levels of blue asbestos”. An employee of the Curaçao Drydock Company told Radar Online in an April 30 article that the Freewinds has been docked and sealed, and confirmed that an article about asbestos ran in the local paper.

Lloyd’s List reported that work on the interior of the Freewinds was suspended on April 27 after health inspectors found traces of blue asbestos on the ship. According to Lloyd’s List, Frank Esser, Curaçao Drydock Company’s interim director, joined Curaçao’s head of the department of labor affairs Christiene van der Biezen along with the head of the local health department Tico Ras and two inspectors in an April 25 inspection of the ship. “We are sending someone so that they can tell us what happened, where it came from, since when it has been there,” said Panama Maritime Authority’s director of merchant marine Alfonso Castillero in a statement to Lloyd’s List.

The Church of Scientology purchased the ship, then known as the Bohème, in 1987, through an organization called Flag Ship Trust. After being renovated and refitted, it was put into service in June 1988. The ship is used by the Church of Scientology for advanced Scientology training in “Operating Thetan” levels, as well as for spiritual retreats for its members. Curaçao has been the ship’s homeport since it was purchased by the Church of Scientology.

According to his 2001 statement, Lawrence Woodcraft had been an architect in London, England since 1975, and joined Scientology’s elite “Sea Organization” (Sea Org) in 1986. He wrote that he was asked by the Sea Org to work on the Freewinds in 1987, and during his work on the ship “noticed a powdery blue fibrous substance approximately 1 ½” thick between the paint and the steel wall,” which he believed to be asbestos. He also discovered what he thought was blue asbestos in other parts of the ship, and reported his findings to Church of Scientology executives. Woodcraft discussed his experiences in a 2001 interview published online by the Lisa McPherson Trust, a now-defunct organization which was critical of the Church of Scientology.

The Freewinds regularly inspects the air quality on board and always meets or exceeds US standards.

Church of Scientology spokeswoman Karin Pouw responded to Radar Online about the asbestos reports, in an email published in an article in Radar on May 1. “The Freewinds regularly inspects the air quality on board and always meets or exceeds US standards,” said Pouw. She stated that two inspections performed in April “confirmed that the air quality is safe,” and asserted that the inspections revealed the Freewinds satisfies standards set by the United States Occupational Safety and Health Administration and the U.S. Clean Air Act.

Pouw told Radar that “The Freewinds will be completing its refit on schedule.” The Church of Scientology-affiliated organization Citizens Commission on Human Rights (CCHR) had been planning a cruise aboard the Freewinds scheduled for May 8, but according to Radar an individual who called the booking number for the cruise received a message that the cruise had been delayed due to ongoing work on the ship. Citing an article in the Netherlands Antilles newspaper Amigoe, Radar reported on May 6 that a team from the United States and supervised by an independent bureau from the Netherlands traveled to Curaçao in order to remove asbestos from the Freewinds.

…if the Church of Scientology claims to have removed the blue asbestos, I just don’t see how, it’s everywhere. You would first have to remove all the pipes, plumbing, a/c ducts, electrical wiring etc. etc. just a maze of stuff.

“I stand by everything I wrote in my 2001 affidavit,” said Lawrence Woodcraft in an exclusive statement given to Wikinews. Woodcraft went on to state: “I would also comment that if the Church of Scientology claims to have removed the blue asbestos, I just don’t see how, it’s everywhere. You would first have to remove all the pipes, plumbing, a/c ducts, electrical wiring etc. etc. just a maze of stuff. Also panelling as well, basically strip the ship back to a steel hull. Also blue asbestos is sprayed onto the outer walls and then covered in paint. It’s in every nook and cranny.”

Many Scientologist celebrities have spent time aboard the Freewinds, including Tom Cruise, Katie Holmes, John Travolta, Kelly Preston, Chick Corea, Lisa Marie Presley, Catherine Bell, Kate Ceberano, and Juliette Lewis. Now magazine reported that Tom Cruise has been urged to seek medical attention regarding potential asbestos exposure, however a representative for Cruise stated he has “absolutely no knowledge” of the recent asbestos controversy. Cruise, Holmes, Travolta and Preston have celebrated birthdays and other events on the Freewinds.

There is not now and never has been a situation of asbestos exposure on the Freewinds.

In a May 15 statement to the United Kingdom daily newspaper Metro, a representative for the Church of Scientology said that “There is not now and never has been a situation of asbestos exposure on the Freewinds.” The Asbestos and Mesothelioma Center notes that agencies have recommended anyone who has spent time on the Freewinds consult with their physician to determine if possible asbestos exposure may have affected their health.

Raw blue asbestos is the most hazardous form of asbestos, and has been banned in the United Kingdom since 1970. Blue asbestos fibers are very narrow and thus easily inhaled, and are a major cause of mesothelioma. Mesothelioma is a form of cancer which can develop in the lining of the lungs and chest cavity, the lining of the abdominal cavity, or the pericardium sac surrounding the heart. The cancer is incurable, and can manifest over 40 years after the initial exposure to asbestos.

“This is the most dangerous type of asbestos because the fibres are smaller than the white asbestos and can penetrate the lung more easily,” said toxicologist Dr. Chris Coggins in a statement published in OK! Magazine. Dr. Coggins went on to note that “Once diagnosed with mesothelioma, the victim has six months to a year to live. It gradually reduces lung function until the victim is no longer able to breathe and dies.”

Scottish police arrest man over child sexual assault in Clydebank supermarket

Sunday, September 23, 2012

Strathclyde Police have arrested a 19-year-old man in relation to a reported incident of a boy, aged four, being sexually assaulted in the toilet of an Asda supermarket in the town of Clydebank in West Dunbartonshire, Scotland. The suspect is being held in police custody and has an appearance scheduled for Tuesday at Dumbarton Sheriff Court.

Police were initially alerted to the incident at 31 Britannia Way in Clydebank approximately 1355 BST (1255 UTC) Tuesday. According to Sky News, the boy’s mother had given him permission to enter the toilet by himself as she waited outside. Police said the incident took place in the minutes following the boy’s entrance into the toilet; upon his departure, the boy raised the alert.

“This is an isolated incident, nevertheless, one that has caused significant stress to the young child and his family,” said Detective Inspector Graham Cordner, who said the child was not injured and is at home with his family.

Police said that they had taken one whole day to interview the child and an additional day to have initial investigations into the incident. All supermarket staff have been questioned and CCTV video has been examined.

“We have taken this report very seriously”, said a spokeswoman for Asda. “We alerted the police and are supporting them fully in their investigation.”

Borussia Dortmund announces former Ajax coach Peter Bosz as team’s new boss

Friday, June 9, 2017

On Tuesday, German football club Borussia Dortmund (BVB) announced Peter Bosz as their new head coach. Bosz, who spent one season with the Dutch Eredivisie runners-up Ajax, was to sign a two-year deal with the DFB Pokal winners BVB which runs through June 2019. Ajax’s assistant coach Hendrie Krüzen also was to leave the Dutch side for Dortmund.

The 53-year-old Dutch manager led the the Dutch capital club to a second place finish in the Dutch league Eredivisie, finishing just one point below Feyenoord Rotterdam and won a silver medal in the UEFA Europa League, losing 2–0 against Manchester United.

Bosz’s predecessor Thomas Tuchel led Dortmund to the DFB Pokal victory, third place finish in Bundesliga the last season and a qualification to next season’s Champions League group stage. Two years ago, Tuchel succeded Jürgen Klopp and his side remained unbeaten in the home games. On May 30, days after winning his first trophy with Borussia Dortmund, the club announced Tuchel was sacked with immediate effect via their official website. “‘Unfortunately we couldn’t see a basis for continued work together built on trust with a successful outlook in the current personnel constellation.”, the CEO said.

Edwin van der Sar, Ajax’s General Manager said, “I have mixed feelings about this transfer. When we brought Peter in to Ajax last summer, it wasn’t our intention that our partnership would end after just one season. Especially in the Europa League, we’ve had an amazing season. For our players, and our coach, that has attracted extra attention from clubs in top European competitions. But we couldn’t go so far as to bind him to his contract, and we worked out a good deal with Dortmund. It’s now up to us, prior to the start of the pre-season, to sign on a good successor.”((nl))Dutch language: Ik heb gemengde gevoelens bij deze overgang. Toen we Peter vorige zomer naar Ajax haalden was het niet de bedoeling dat na één jaar alweer een einde zou komen aan de samenwerking. We hebben, met name in de Europa League, een geweldig seizoen neergezet. Net als bij onze spelers trekt dat ook voor de trainer de aandacht van clubs uit de Europese topcompetities. Het ging ons te ver om hem aan zijn contract te houden en we zijn er met Dortmund goed uitgekomen. Het is nu aan ons om, voordat de voorbereiding begint, een goede opvolger te contracteren.

Under former coach Thomas Tuchel, Borussia Dortmund’s key players ?lkay Gündo?an, Henrikh Mkhitaryan and Dortmund then-captain Mats Hummels left Signal Iduna Park last season, but signed Ousmane Dembélé, André Schürrle, Marc Bartra and Mario Götze.

This season, Dortmund signed Ömer Toprak, Mahmoud Dahoud, Dan-Axel Zagadou and Maximilian Philipp.

Mia Farrow, Carole White testify in Charles Taylor’s war crimes trial

Wednesday, August 11, 2010

Actress Mia Farrow and Carole White have testified in former-Liberian president Charles Taylor’s war crimes trial at the Special Court for Sierra Leone in The Hague, The Netherlands.

Farrow and White’s testimonies contradict supermodel Naomi Campbell’s testimony from last week.

White said Campbell was “mildly flirtatious” with Taylor at a dinner in South Africa in 1997. Taylor, she alleged, told Campbell he would send her diamonds. White continued to say Campbell communicated with Taylor and awaited the diamond. Campbell was “very excited” about the diamonds according to White.

“[Taylor’s men] came in and they sat down in the lounge and we sat opposite them… they then took out a quite scruffy paper and they handed it to Miss Campbell and said ‘these are the diamonds.'”

Farrow claimed Campbell told her Taylor received diamonds in the middle of the night. She testified, “[Campbell] said that in the night she had been awakened, some men were knocking at the door, and they had been sent by Charles Taylor, and they had given her a huge diamond.”

Last week in Campbell’s testimony, she did not know who sent her diamonds, but testified her then-agent White told her who probably sent the diamonds. White and Farrow testified Campbell said the diamonds were from Taylor. She claims she gave the diamonds to Jeremy Ractliffe who gave them to police.

Police spokesperson Musa Zondi confirms Ractliffe had uncut diamonds. “Yes, they are real diamonds. We cannot tell whether they are ‘blood diamonds’ or not. That will be part of the investigation,” Zondi said.

Taylor faces eleven counts for violating international law including, murder, rape, sexual slavery, enlistment of children under the age of fifteen, pillaging, enslavement, and “outrages upon personal dignity.”

Taylor allegedly traded “blood diamonds” for weapons and supplying the Revolutionary United Front (RUF) of Sierra Leone with weapons during the civil war from 1991 to 2002. This war conscripted child soldiers, an international crime. The prosecutors for the Special Court say Taylor trained the rebels and had them rape, murder, mutilate, and decapitate the civilians of Sierra Leone. Over 100,000 people died in the Sierra Leonean civil war. Taylor plead not guilty to all charges.

Linking the blood diamonds, used to support the RUF, to Taylor is a high priority for the prosecution.

Category:University of Arizona

This is the category for the University of Arizona, in Tucson, Arizona.

Refresh this list to see the latest articles.

  • 1 October 2015: NASA announces water on Mars
  • 13 January 2011: US President Barack Obama speaks at memorial for Arizona shooting victims
  • 12 November 2008: NASA calls end to Mars Phoenix mission
  • 4 October 2008: Study estimates first human HIV infection 100 years ago
  • 22 June 2008: Phoenix lander confirms presence of water ice on Mars
  • 20 June 2008: NASA: White substance photographed by Phoenix lander on Mars ‘must have been ice’
  • 11 June 2008: NASA’s Phoenix Lander has an oven full of Martian soil
  • 1 June 2008: NASA says Phoenix spacecraft may have landed on ice
  • 1 April 2008: Peruvian necklace identified as oldest gold artifact in the Americas
  • 19 March 2008: Hubble detects methane on distant planet

From Wikinews, the free news source you can write.


Main library of the University of Arizona. Image: Msr69er.


Sister projects
  • Commons
  • Wikipedia

External links

Pages in category “University of Arizona”

Bat for Lashes plays the Bowery Ballroom: an Interview with Natasha Khan

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.


DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

U.S. ISPs to test restricting heavy Internet users

Thursday, June 5, 2008

On June 3rd, 2008, two United States Internet service providers (ISPs) announced they would begin tests to slow web access for their most active customers and charge them for extra speed. Comcast and Time Warner Cable, two of the largest ISPs in North America, both made separate announcements of their plans. The actions come in the wake of an investigation by the Federal Communications Commission (FCC), over whether Comcast had restricted some customers from sharing videos, music, and similar files. The FCC investigation led to a US Congress debate over whether and how much control ISPs should have over the flow of customer data.

Public interest groups complained in November 2007 to the FCC that Comcast had specifically targeted customers using applications that made use of the BitTorrent system, a popular form of file sharing. Free Press, an advocacy group that pushes for better oversight of cable operators such as Comcast, stated that Comcast practices were discriminatory towards users of the legal technology. “The cable companies see a hammer hovering above their heads and are scrambling to find ways to reduce the appearance of wrongdoing,” said Ben Scott, head of the group.

According to Roger Entner, a senior vice president from Nielsen IAG, as little as 5 percent of all Internet users may consume as much as 50 percent of all the bandwidth on the Internet. “This is the politically correct version of doing what Comcast had been doing before, though it takes the occasional [peer-to-peer] user off the hook,” Entner said. Sena Fitzmaurice, a Comcast spokesperson, said, “This says we won’t be looking at what type of traffic that there is, even though we still need to manage the network.”

Comcast’s tests are expected to begin in Chambersburg, Pennsylvania and Warrenton, Virginia.

While Comcast will attempt to throttle the speed of all its high-volume users, Time Warner Cable intends to use a different method. They will meter and bill clients, charging more money for faster speeds and larger amounts of transmitted data, functioning more like a traditional public utility, such as an electric company or cell phone service. Their metered billing test will begin on June 5 in Beaumont, Texas for newly enrolled customers. “Instead of raising prices across the board, consumers who are excessive users would pay,” said Alex Dudley, a Time Warner Cable spokesman. “It is clearly the fairest way to fund the investment that is going to be required to support that use.”

An Associated Press report that Time Warner Cable will bill customers between $29.95 to $54.90USD per month has been confirmed by the cable operator, with clients charged an extra $1 for each gigabyte (GB) by which they exceed their purchased plan. Art Brodsky, communications director of Public Knowledge, a consumer advocacy group in Washington D.C., has expressed concerns about the Time Warner Cable plan. Time Warner Cable’s most expensive offering, $54.90, comes with 15 megabits-per-second of data transfer speed and a 40 gigabyte limit on total data transfer.

“An HD (high-definition) movie is 8GB or so, three movies is more than half your allowance for a month, and heaven knows what else you might want to watch,” Brodsky says. “This is not a relieving congestion scheme as much as it is a rationing scheme. All it does is protect an inadequate infrastructure from the cable company.”

Lumbar Degenerative Disc Disease In Teenagers

Lumbar Degenerative Disc Disease in Teenagers

by

Mel Joelle

Degenerative Disc Disease is a disorder that is commonly related to age and wear and tear upon the back. Sufferers most commonly experience its symptoms in their thirties or forties, which usually consists of pain, and possibly even numbness or weakness in the limbs if a nerve has been compressed. In many cases, however, people may experience no symptoms at all.

[youtube]http://www.youtube.com/watch?v=BMnparqmJ5I[/youtube]

It is called “Juvenile” Degenerative Disc Disease when its sufferers are under twenty-one. The spine is made up of bones called vertebrae, which are separated and cushioned by little sacks of fluid called “discs.” As we age, these discs lose fluid and grow weak. Sometimes they are damaged. Unfortunately, discs can not heal themselves, so any damage to a disc can continue to cause problems for the rest of your life. Some people experience more disc problems than others. These are the conditions that lead to a diagnosis of Degenerative Disc disease. Some people are naturally more prone to disc problems; a genetic component to lumbar disc degeneration has been identified. Smokers, athletes and heavy lifters are also at greater risk for Degenerative Disc Disease. The lumbar region is that of the lower back. For disc problems in the lumbar region, one of the more common locations for disc disease, pain typically originates in the lower back, sometimes radiating into the buttock and thigh. In fact, studies show that approximately twenty percent of teenagers have lumbar discs that show early signs of deterioration. This disc deterioration accelerates rapidly with time – especially for boys. However, Juvenile Degenerative Disc Disease is believed to be experienced equally often in girls and boys. Although the typical population experiences no symptoms until at least their twenties, Juvenile Degenerative Disc Disease is a major cause of chronic lumbar pain in teenagers. In the past, doctors believed that chronic lumbar pain in the young was most likely due to cancer or a serious injury, but a recent study showed that this is not the case. Clearly, this type of problem in teenagers is of particular concern because of the life span remaining before them, during which their discs will continue to deteriorate. Although, usually Degenerative Disc patients can be treated without resorting to surgery, teenagers with this problem may be more likely to undergo surgery than the typical lumbar Degenerative Disc Disease patient, due to the age of disease onset. This is unfortunate, because back surgery is inherently risky. One way in which Juvenile Degenerative Disc Disease can become apparent is by loss of lordosis (or curvature) in the lower back. The disease, when present in juveniles, may co-exist with spinal stenosis – a narrowing of the spine, which can, eventually, put pressure upon the spinal cord. MRI (Magnetic Resonance Imaging) is a helpful diagnostic tool when attempting to diagnosis this problem, as it can show both narrowing of spaces between the vertebrae, as well as actual disc damage, such as the bulging disc. Since Juvenile Degenerative Disc Disease is inherently destructive to the back, parents should be watchful for signs of this potentially debilitating disorder.

Click here to read the rest of

Lumbar Degenerative Disc Disease

. If you enjoyed this article, you also might like our other stories about

Back Pain Treatments

.

Article Source:

ArticleRich.com