Wednesday, November 30, 2016

On Monday local time, a chartered flight carrying 72 passengers and nine crew members crashed on the outskirts of the city of Medellín, Colombia. The Colombian police has indicated only five people on board survived the crash.

The British Aerospace 146 was flying from Brazil to Colombia via Bolivia. The plane reported facing electrical problems near La Ceja and La Unión before crashing at roughly 10:15pm local time (0315 Tuesday UTC). The crash site had bad weather, and heavy fog prevented rescue helicopters from landing.

According to initial reports, six passengers were rescued but later one of them died in hospital.

The flight was carrying Brazilian Série A football team Chapecoense’s delegations. Chapecoense was scheduled to play Colombian club Atlético Nacional today in the Copa Sudamericana final; Copa Sudamericana is South America’s second-tier club competition, the winner of which is promoted to the first-tier competition of Copa Libertadores in the next season.

The Chapecó based club were promoted to the first division Série A in 2014. They are currently ninth in the league table and the final league match of the season was scheduled to be played on Sunday against Atlético Mineiro. Reaching the final of Copa Sudamericana was the best outcome in the club’s history.

By varying reports either 21 or 22 Brazilian football journalists where also on the flight. The five survivors include at least two football players, who have been identified as Alan Ruschel and Jakson Follmann.

South America’s governing body of football CONMEBOL has suspended the upcoming fixture. Atlético Nacional were scheduled to play the second leg of the final on December 7.

Brazilian president Michel Temer tweeted, “I express my solidarity at this sad time when dozens of Brazilian families have been affected by tragedy.” ^{((pt))Portuguese language: ?Nesta hora triste que a tragédia se abate sobre dezenas de famílias brasileiras, expresso minha solidariedade.} Temer has also called three-day mourning in Brazil.

Atlético Nacional requested CONMEBOL award the Copa Sudamericana to Chapecoense. Several Brazilian clubs said they would loan players to Chapecoense for the upcoming season for free. They also requested Chapecoense be granted three seasons’ immunity from relegation to a lower division.

Wednesday, June 9, 2010

A circus elephant managed to escape from her handler on Sunday night in the city of Zurich, Switzerland before being recaptured by local police and circus animal keepers. The 26-year-old female elephant, named Sabu, is from Switzerland’s Zirkus Knie. She was able to make her escape just before being put into a trailer, while the keeper was not paying attention.

Around 1930 local time (1730 UTC), Sabu was seen wading in Lake Zurich for a short time before walking back onto city streets. Zurich police said that Sabu wandered along the Bahnhofstrasse avenue of Zurich, which is known as the city’s most exclusive shopping street. She also passed by Zürich Hauptbahnhof (the city’s main rail station) and Paradeplatz, a square of Bahnhofstrasse, where both Credit Suisse Group AG and UBS AG have headquarters.

For nearly an hour, police chased the elephant around the city before she was finally peacefully recaptured in the Talstrasse section of Zurich. Circus officials and police followed Sabu, but a circus spokesperson said that she did not respond to their calls. Sabu was also said to have been moving so fast that police had difficulty keeping up with her. At about 2000 local time (1900 UTC), a keeper was able to control the animal and load her onto a truck to take her to Winterthur, where the other circus animals were. There were no reports of any damage or injuries during the incident, and although police held back onlookers, at least one bystander managed to capture video of the event.

The circus said that Sabu may have escaped after being frightened by storms near Zurich. After returning to the circus, she was said to be tired, but “pleased to be back.”

Friday, October 27, 2017

Arizona Senator Jeff Flake announced on Tuesday he will not seek reelection when his term in the Senate is up next year, citing issues within the United States Republican Party and with President Donald Trump, whose behavior he called “reckless, outrageous, and undignified.” The Trump administration said Flake had poor support among his constituency.

In a speech on the floor of the Senate, Flake said, “The notion that one should stay silent as the norms and values that keep America strong are undermined and as the alliances and agreements that ensure the stability of the entire world are routinely threatened by the level of thought that goes into 140 characters — the notion that one should say and do nothing in the face of such mercurial behavior is ahistoric and,” he said, “I believe, profoundly misguided.” He later added on CNN’s The Lead, “It’s difficult to move forward in a Republican primary if you have been critical of any of the behavior that’s gone on[…] We Republicans certainly can’t countenance that kind of behavior. We ought to stand up and say ‘This is not right. This is not us. This is not conservative.’?”

“Based on the lack of support he has from the people of Arizona, [retirement]’s probably a good move,” White House Press Secretary Sarah Huckabee Sanders told the media. Recent polls showed Flake has limited popularity with Republicans in Arizona.

Last year President Trump told other Arizona politicians he planned to personally spend US$10 million to see that Flake did not win the Republican primary, the intra-party election that names the party’s official candidate. About two months ago Trump tweeted in support of Flake’s rival for the primary nod, Kelli Ward, “Great to see that Dr. Kelli Ward is running against Flake Jeff Flake, who is WEAK on borders, crime and a non-factor in Senate. He’s toxic!”

Republican Senators John McCain and Bob Corker, who have also been critical of President Trump, stood and clapped at the end of Flake’s floor speech. Corker later called Flake a “real conservative.” Republican Senator Susan Collins of Maine described herself as deeply disappointed by Flake’s decision. Republican Senator John Cornyn and Democratic Senator Tim Kaine referred to it as “sad” and “depressing.”

Kaine commented, “When someone as good and decent a person as Jeff Flake does not think he can continue in the body, it’s a very tragic day for the institution.”

Flake has recently published a book, Conscience of a Conservative: A Rejection of Destructive Politics and a Return to Principle, in which he criticizes what he sees as Trump’s negative effect on the tone of United States politics. Politically, Flake has differed from President Trump on trade and immigration, specifically the Trans-Pacific Partnership and the North American Free Trade Agreement, with Flake in favor of both agreements and Trump against. Flake also co-authored a 2013 law that would have given undocumented immigrants a path to citizenship if it had passed. Trump is in the early stages of building a wall on the U.S.–Mexico border in an attempt to prevent people from entering the U.S. illegally and has issued three executive orders limiting immigration from specific countries, though these were later blocked.

United States senators serve six-year terms. One third of the Senate is elected or reelected every two years.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Wednesday, January 31, 2007

India‘s steelmaker Tata Steel, of the Tata Group, buys Anglo-Dutch steel giant Corus Group for £6.7 billion ($12 billion), making it the world’s fifth largest steel manufacturer. 70-year-old Tata group Chairman Ratan Tata, from one of India’s best-known business families, won the race against Benjamin Steinbruch, 52, a famous Brazilian executive who is the chief and main owner of Companhia Siderurgica Nacional (CSN). Tata paid investors 608 pence a share, whereas the Brazilians final offer in an auction by the U.K.’s Takeover Panel was 603 pence.

The deal triples Tata Steel’s capacity to almost 28 million tons a year. Tata: “This is the first step in showing that Indian industry can step outside its shores into an international market place as a global player.”

Corus, which was created from the merger of British Steel and Hoogovens, currently employs 47,300 people worldwide. Last year the company was the ninth-largest steel maker worldwide.

The takeover may start a round of consolidation in the fragmented steel sector.

Friday, October 16, 2009

New York State Senator Hiram Monserrate was found guilty of misdemeanor assault Thursday, in the criminal trial involving an alleged attack on his girlfriend Karla Giraldo. Monserrate will face sentencing on the misdemeanor assault conviction on December 4.

Monserrate had also faced charges of felony assault, but he was not convicted of these charges. The misdemeanor assault conviction means Monserrate is guilty of “recklessly causing physical injury” to Giraldo. Monserrate could be sentenced to one year in jail for the misdemeanor assault conviction.

The prosecution had asserted that when Monserrate discovered that his girlfriend had the business card of another man, he chose to strike out at her. Monserrate entered a plea of not guilty to charges he sliced his girlfriend’s face with broken glass during a conflict at their apartment on December 19, 2008. The defense team denied that the injury to the woman by Monserrate was intentional, instead claiming that the incident was “an accident” and the result of Monserrate tripping while bringing Giraldo a glass of water.

A police detective that first investigated the crime scene testified about the bloody evidence discovered at Monserrate’s apartment, including broken glass, blood, towels covered in blood, and a ripped women’s t-shirt. Forensic biologist Ewilina Badja said that the majority of the blood found at the crime scene had originated from one woman. Prosecutors asserted that this woman is Giraldo, who was treated for injuries surrounding her left eye that took approximately 40 stitches to remedy. Badja identified blood on a male green shirt found in the bathroom sink as that of Monserrate.

An emergency physician that had treated Giraldo stated in court that Monserrate’s girlfriend asserted to her that her injuries were not the result of an accident. Though the defense has argued that Giraldo, who is from Ecuador, may have been difficult to understand – the physician stated she conversed with Monserrate’s girlfriend in both Spanish and in English.

Queens Supreme Court Justice William Erlbaum judged the case without a jury, as Monserrate waived his right for a trial before his peers. The group National Organization for Women had requested that the judge rule Monserrate should be given “the maximum sentence allowable by law”. If he had been convicted of a felony, Democrat Sen. Monserrate could have automatically lost his New York State Senate seat. Monserrate did not testify during the criminal trial against him.

WXXI reported that Patricia Salkin of the Government Law Center at Albany Law School, said state Senators may be faced with political issues if they do not do something about Monserrate’s continued presence as a Senator. Salkin stated that the issue was: “Whether or not the public is going to stand for somebody who has been convicted of a criminal act, and act of domestic violence in this case, to be allowed to continue.” According to WXXI, Senate rules do not state that a misdemeanor conviction means a politician must be removed from office, it is within the power of the New York Senate to initiate procedures to oust a sitting Senator. WXXI reported that leaders within the Democratic party in the New York Senate were debating whether to being proceedings to remove Monserrate from his seat. WNYC reported that the Senators are deciding whether or not to initiate disciplinary proceedings against Monserrate.

The New York Daily News reported that Monserrate gave a statement outside the courthouse after the ruling, and continued to describe the injury to Giraldo’s face as a “terrible accident”. He referred to Giraldo as “”a person who I love”. Monserrate stated that: “I have to live with that forever. There are no winners here today.” Monserrate’s attorney, Joseph Tacopina, believed that his client would not serve any jail time. “On a reckless misdemeanor, first offense, he won’t go to jail,” said Tacopina.

New York City Council member Eric Gioia was the first Democratic politician to publicly request that Monserrate resign from his post as a member of the New York State Senate. Gioia released a statement which said: “There is no room in government or in the Democratic Party for people who commit such heinous crimes against women. Hiram Monserrate must be swiftly removed from office. Elected officials should rightfully be held to a higher standard, and New Yorkers deserve better representation than a convicted perpetrator of domestic violence.” Gioia stated that “the circumstances revealed in the trial … truly shock the conscience.”

Monserrate is a former New York City police officer. Prior to becoming a member of the New York State Senate, he was a city councilman. He became a member of the New York State Senate weeks after the alleged conflict with Giraldo, and was made chair of the committee overseeing consumer affairs. Along with Democrat Pedro Espada Jr., Monserrate started a shift in control of the Senate by aligning with the Republican Party. Monserrate is currently allied with the Democrats in the New York Senate, and if he is removed from his seat the ratio of Democrats to Republicans would be 31-30.

Monday, August 27, 2012

London, England — As Paralympians ready for the Games which are set to open later this week, they have access to a world class fitness center inside the Paralympic Village which is designed to maximise their pre-Game preparations.

According to volunteers staffing the center, instead of being a single large room, as in Beijing, the building has numerous rooms. It, along with the adjacent Village Services Centre, is designed to be converted into a school after the games conclude. Rooms have been structured as a gym, an auditorium, and science laboratories.

Gym equipment is supplied by Technogym, an Italian firm that has supplied gym equipment for the Olympics since 2000. Equipment has been provided not just for for the Fitness Centre, but for gyms at all the Olympic venues. The newest equipment is oriented toward maximum flexibility, allowing athletes to exercise the particular muscles that they most require for their sport.

In addition to the equipment, the Fitness Centre also provides instructors trained in the use of the equipment, the likes of which athletes from many countries have never seen before. There are also a number of instructors available to provide motivational training.

Sunday, July 2, 2006

A suicide bomber exploded a truck bomb in the crowded Al-Ula market in Sadr City in Baghdad on Saturday, killing 66 people and injuring over a 100.

‘At the beginning of this market, the criminal blew up his dynamite-packed truck after trying to go over the pavement,’ said Iraq’s Deputy Health Minister Sabah al-Hussein.

The explosion happened when a police patrol was passing by and caused heavy casualties in the morning market rush. Some shoppers were sent flying on top of nearby two-storey buildings.

The force of the blast left a large crater and wreckage of blown-out cars and windowless buildings. Rescuers were left to pick through a sickening scene of human remains mixed in with exploded vegetable matter and dead animals.

Sadr City, a Shiite city of two million in which religious leader Moqtada Sadr has found popular support, had many times before been targeted by Sunni terrorists who were blamed by some residents for this attack.

It was the deadliest bombing of civilians since Prime Minister Nouri al-Maliki‘s government assumed responsibility for domestic security in May 2006.

Experts said the truck bomb was a lethal concoction of explosives, shells and shrapnel hidden under a consignment of fruit. The driver of the truck blew himself up in the explosion.

Tuesday, March 4, 2008

Randall Munroe is the writer of the popular webcomic xkcd. The comic is known for its geeky humor and minimalist drawing style that generally uses stick figures. Munroe worked as a contractor for NASA before writing xkcd full time in 2006.

Wikinews reporter Joshua Zelinsky interviewed Munroe at Vericon, Harvard’s annual science fiction convention.