Monday, November 15, 2010

Three pirates were killed late Friday during a presumed attack in error, while other pirates successfully hijacked the Yuan Xiang, a Panamanian-flagged vessel with an all-Chinese crew, and a media embargo was lifted regarding the release of a British couple whose yacht was seized more than a year ago over the weekend.

At 11 p.m. on Friday a Kenyan patrol vessel was near Kilifi in Kenyan coastal waters “when four suspected Somali pirates on board a speed boat climbed the vessel, mistaking it for a merchant vessel,” according to Kenyan Defence Department spokesman Bogita Ongeri. He said three were shot dead but the fourth “dived into the sea with bullet wounds during the scuffle,” and is thought to have died. The speed boat with more pirates on board fled, the three bodies were taken to Coast General Hospital, Mombassa.

Ongeri promised more details after discussions with the vessel’s captain adding, “[t]he government will not relent in its fight against piracy.” Kenya, along with the Seychelles, performs international prosecutions of pirates, but convictions are rarely secured; 26 suspects were freed last week by Kenya owing to lack of evidence or jurisdiction.

Andrew Mwangura of the Seafarers’ Assistance Program said Saturday, “I can confirm the pirates hijacked Yuan Xiang on Friday at midnight Kenyan time in the Arabian Sea near India. The vessel has 29 Chinese crew.” The Yuan Xiang was sailing outside the zone covered by a multinational task force combating piracy. Reports suggest its captors are heading to Somalia.

Retired British couple Paul and Rachel Chandler were released after their yacht Lynn Rival was captured near the Seychelles en-route to Tanzania 388 days ago, in October 2009. An injunction prevented reporting the release until 56-year-old Rachel and 60-year-old Paul, from Kent, were out of Somalia.

“Men with guns came aboard,” Paul told ITV News over the phone a week after their capture. “Then we were forced to sail … toward Somalia.” The seizure was witnessed by UK refueling ship RFA Wave Knight but they were not helped for fear their lives would be endangered. “This is not piracy and must not be reported as such,” Paul said in custody. “It is kidnapping and extortion and even torture.” It is unclear if money changed hands; US$7 million was originally demanded but UK government policy forbids ransom payments. “We’re fine,” said Paul. “We’re rather skinny and bony but we’re fine.”

New figures show 790 people have been kidnapped by Somali pirates this year, on course to beat last year’s record of 867. Of these, 435 remain hostage. Dr Alex Coutroubis and George Kiourktsoglou of London’s University of Greenwich say crews are repelling more attacks, and attackers have responded with increased violence. “As it gets harder for pirates to capture ships, the Somali gangs are more likely to fire at sailors with automatic weapons in order to force vessels to stop”. Some tankers have had rocket propelled grenades fired at them.

Last year saw 217 hijack attempts. This year, to date, 140, and 40 ships seized – versus 47 for the whole of 2009.

Tuesday, March 29, 2005A team of Australian surgeons yesterday reattached both hands and one foot to 10-year-old Perth boy, Terry Vo, after a brick wall which collapsed during a game of basketball fell on him, severing the limbs. The wall gave way while Terry performed a slam-dunk, during a game at a friend’s birthday party.

The boy was today awake and smiling, still in some pain but in good spirits and expected to make a full recovery, according to plastic surgeon, Mr Robert Love.

“What we have is parts that are very much alive so the reattached limbs are certainly pink, well perfused and are indeed moving,” Mr Love told reporters today.

“The fact that he is moving his fingers, and of course when he wakes up he will move both fingers and toes, is not a surprise,” Mr Love had said yesterday.

“The question is more the sensory return that he will get in the hand itself and the fine movements he will have in the fingers and the toes, and that will come with time, hopefully. We will assess that over the next 18 months to two years.

“I’m sure that he’ll enjoy a game of basketball in the future.”

The weight and force of the collapse, and the sharp brick edges, resulted in the three limbs being cut through about 7cm above the wrists and ankle.

Terry’s father Tan said of his only child, the injuries were terrible, “I was scared to look at him, a horrible thing.”

The hands and foot were placed in an ice-filled Esky and rushed to hospital with the boy, where three teams of medical experts were assembled, and he was given a blood transfusion after experiencing massive blood loss. Eight hours of complex micro-surgery on Saturday night were followed by a further two hours of skin grafts yesterday.

“What he will lose because it was such a large zone of traumatised skin and muscle and so on, he will lose some of the skin so he’ll certainly require lots of further surgery regardless of whether the skin survives,” said Mr Love said today.

The boy was kept unconscious under anaesthetic between the two procedures. In an interview yesterday, Mr Love explained why:

“He could have actually been woken up the next day. Because we were intending to take him back to theatre for a second look, to look at the traumatised skin flaps, to close more of his wounds and to do split skin grafting, it was felt the best thing to do would be to keep him stable and to keep him anaesthetised.”

Professor Wayne Morrison, director of the respected Bernard O’Brien Institute of Microsurgery and head of plastic and hand surgery at Melbourne’s St Vincent’s Hospital, said he believed the operation to be a world first.

Wednesday, February 22, 2006

Almost 600 desperate family members and others remained camped outside the Pasta de Conchos coal mine near San Juan de Sabinas, in the northern Mexico state of Coahuila where 65 Mexican miners were trapped by a gas explosion around 2:30 a.m. (0830 GMT) Sunday. Some are threatening to storm the mine while soldiers are trying to keep them calm and rescuers continue to pick through the rock and debris with hand tools, fearing that any power equipment might set off another explosion.

The local newspaper’s headline caused panic by quoting one of over a dozen surviving miners who were close enough to the exits to escape: “They are surely dead,” (La Prensa de Monclova). However, Arturo Vilchis, Civil Protection Director, refused to speculate on the condition of the miners, while Javier de la Fuente, an engineering contractor with mine owner Grupo México S.A. de C.V. also tried to hold out some hope.

The men were each supposed to be carrying oxygen tanks, each with a six hour supply, and there’s some hope that they could reach other oxygen supply tanks, or that some air might be reaching them through the ventilation shafts into which rescuers have been pumping more oxygen since shortly after the explosion.

Juan Rebolledo, vice president of international affairs for Grupo México, assured onlookers that U.S. mining experts were on the way, and officials at the U.S. Mine Safety and Health Administration have confirmed that they’ve sent a specialized equipment truck and several mining experts which should arrive at the mine site on Wednesday afternoon.

Meanwhile Consuelo Aguilar, a spokeswoman for the National Miners’ Union, called for an investigation into Grupo México’s responsibility for the disaster. Pedro Camarillo, a federal labor official, said nothing unusual was found during a routine evaluation in early February.

[edit]

Wednesday, November 30, 2016

On Monday local time, a chartered flight carrying 72 passengers and nine crew members crashed on the outskirts of the city of Medellín, Colombia. The Colombian police has indicated only five people on board survived the crash.

The British Aerospace 146 was flying from Brazil to Colombia via Bolivia. The plane reported facing electrical problems near La Ceja and La Unión before crashing at roughly 10:15pm local time (0315 Tuesday UTC). The crash site had bad weather, and heavy fog prevented rescue helicopters from landing.

According to initial reports, six passengers were rescued but later one of them died in hospital.

The flight was carrying Brazilian Série A football team Chapecoense’s delegations. Chapecoense was scheduled to play Colombian club Atlético Nacional today in the Copa Sudamericana final; Copa Sudamericana is South America’s second-tier club competition, the winner of which is promoted to the first-tier competition of Copa Libertadores in the next season.

The Chapecó based club were promoted to the first division Série A in 2014. They are currently ninth in the league table and the final league match of the season was scheduled to be played on Sunday against Atlético Mineiro. Reaching the final of Copa Sudamericana was the best outcome in the club’s history.

By varying reports either 21 or 22 Brazilian football journalists where also on the flight. The five survivors include at least two football players, who have been identified as Alan Ruschel and Jakson Follmann.

South America’s governing body of football CONMEBOL has suspended the upcoming fixture. Atlético Nacional were scheduled to play the second leg of the final on December 7.

Brazilian president Michel Temer tweeted, “I express my solidarity at this sad time when dozens of Brazilian families have been affected by tragedy.” ^{((pt))Portuguese language: ?Nesta hora triste que a tragédia se abate sobre dezenas de famílias brasileiras, expresso minha solidariedade.} Temer has also called three-day mourning in Brazil.

Atlético Nacional requested CONMEBOL award the Copa Sudamericana to Chapecoense. Several Brazilian clubs said they would loan players to Chapecoense for the upcoming season for free. They also requested Chapecoense be granted three seasons’ immunity from relegation to a lower division.

Wednesday, June 9, 2010

A circus elephant managed to escape from her handler on Sunday night in the city of Zurich, Switzerland before being recaptured by local police and circus animal keepers. The 26-year-old female elephant, named Sabu, is from Switzerland’s Zirkus Knie. She was able to make her escape just before being put into a trailer, while the keeper was not paying attention.

Around 1930 local time (1730 UTC), Sabu was seen wading in Lake Zurich for a short time before walking back onto city streets. Zurich police said that Sabu wandered along the Bahnhofstrasse avenue of Zurich, which is known as the city’s most exclusive shopping street. She also passed by Zürich Hauptbahnhof (the city’s main rail station) and Paradeplatz, a square of Bahnhofstrasse, where both Credit Suisse Group AG and UBS AG have headquarters.

For nearly an hour, police chased the elephant around the city before she was finally peacefully recaptured in the Talstrasse section of Zurich. Circus officials and police followed Sabu, but a circus spokesperson said that she did not respond to their calls. Sabu was also said to have been moving so fast that police had difficulty keeping up with her. At about 2000 local time (1900 UTC), a keeper was able to control the animal and load her onto a truck to take her to Winterthur, where the other circus animals were. There were no reports of any damage or injuries during the incident, and although police held back onlookers, at least one bystander managed to capture video of the event.

The circus said that Sabu may have escaped after being frightened by storms near Zurich. After returning to the circus, she was said to be tired, but “pleased to be back.”

Friday, October 27, 2017

Arizona Senator Jeff Flake announced on Tuesday he will not seek reelection when his term in the Senate is up next year, citing issues within the United States Republican Party and with President Donald Trump, whose behavior he called “reckless, outrageous, and undignified.” The Trump administration said Flake had poor support among his constituency.

In a speech on the floor of the Senate, Flake said, “The notion that one should stay silent as the norms and values that keep America strong are undermined and as the alliances and agreements that ensure the stability of the entire world are routinely threatened by the level of thought that goes into 140 characters — the notion that one should say and do nothing in the face of such mercurial behavior is ahistoric and,” he said, “I believe, profoundly misguided.” He later added on CNN’s The Lead, “It’s difficult to move forward in a Republican primary if you have been critical of any of the behavior that’s gone on[…] We Republicans certainly can’t countenance that kind of behavior. We ought to stand up and say ‘This is not right. This is not us. This is not conservative.’?”

“Based on the lack of support he has from the people of Arizona, [retirement]’s probably a good move,” White House Press Secretary Sarah Huckabee Sanders told the media. Recent polls showed Flake has limited popularity with Republicans in Arizona.

Last year President Trump told other Arizona politicians he planned to personally spend US$10 million to see that Flake did not win the Republican primary, the intra-party election that names the party’s official candidate. About two months ago Trump tweeted in support of Flake’s rival for the primary nod, Kelli Ward, “Great to see that Dr. Kelli Ward is running against Flake Jeff Flake, who is WEAK on borders, crime and a non-factor in Senate. He’s toxic!”

Republican Senators John McCain and Bob Corker, who have also been critical of President Trump, stood and clapped at the end of Flake’s floor speech. Corker later called Flake a “real conservative.” Republican Senator Susan Collins of Maine described herself as deeply disappointed by Flake’s decision. Republican Senator John Cornyn and Democratic Senator Tim Kaine referred to it as “sad” and “depressing.”

Kaine commented, “When someone as good and decent a person as Jeff Flake does not think he can continue in the body, it’s a very tragic day for the institution.”

Flake has recently published a book, Conscience of a Conservative: A Rejection of Destructive Politics and a Return to Principle, in which he criticizes what he sees as Trump’s negative effect on the tone of United States politics. Politically, Flake has differed from President Trump on trade and immigration, specifically the Trans-Pacific Partnership and the North American Free Trade Agreement, with Flake in favor of both agreements and Trump against. Flake also co-authored a 2013 law that would have given undocumented immigrants a path to citizenship if it had passed. Trump is in the early stages of building a wall on the U.S.–Mexico border in an attempt to prevent people from entering the U.S. illegally and has issued three executive orders limiting immigration from specific countries, though these were later blocked.

United States senators serve six-year terms. One third of the Senate is elected or reelected every two years.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Wednesday, January 31, 2007

India‘s steelmaker Tata Steel, of the Tata Group, buys Anglo-Dutch steel giant Corus Group for £6.7 billion ($12 billion), making it the world’s fifth largest steel manufacturer. 70-year-old Tata group Chairman Ratan Tata, from one of India’s best-known business families, won the race against Benjamin Steinbruch, 52, a famous Brazilian executive who is the chief and main owner of Companhia Siderurgica Nacional (CSN). Tata paid investors 608 pence a share, whereas the Brazilians final offer in an auction by the U.K.’s Takeover Panel was 603 pence.

The deal triples Tata Steel’s capacity to almost 28 million tons a year. Tata: “This is the first step in showing that Indian industry can step outside its shores into an international market place as a global player.”

Corus, which was created from the merger of British Steel and Hoogovens, currently employs 47,300 people worldwide. Last year the company was the ninth-largest steel maker worldwide.

The takeover may start a round of consolidation in the fragmented steel sector.