Tuesday, November 20, 2007

Last night HBO premiered I Am An Animal: The Story of Ingrid Newkirk and PETA. Since its inception, People for the Ethical Treatment of Animals (PETA) has made headlines and raised eyebrows. They are almost single-handedly responsible for the movement against animal testing and their efforts have raised the suffering animals experience in a broad spectrum of consumer goods production and food processing into a cause célèbre.

PETA first made headlines in the Silver Spring monkeys case, when Alex Pacheco, then a student at George Washington University, volunteered at a lab run by Edward Taub, who was testing neuroplasticity on live monkeys. Taub had cut sensory ganglia that supplied nerves to the monkeys’ fingers, hands, arms, legs; with some of the monkeys, he had severed the entire spinal column. He then tried to force the monkeys to use their limbs by exposing them to persistent electric shock, prolonged physical restraint of an intact arm or leg, and by withholding food. With footage obtained by Pacheco, Taub was convicted of six counts of animal cruelty—largely as a result of the monkeys’ reported living conditions—making them “the most famous lab animals in history,” according to psychiatrist Norman Doidge. Taub’s conviction was later overturned on appeal and the monkeys were eventually euthanized.

PETA was born.

In the subsequent decades they ran the Stop Huntingdon Animal Cruelty against Europe’s largest animal-testing facility (footage showed staff punching beagle puppies in the face, shouting at them, and simulating sex acts while taking blood samples); against Covance, the United State’s largest importer of primates for laboratory research (evidence was found that they were dissecting monkeys at its Vienna, Virginia laboratory while the animals were still alive); against General Motors for using live animals in crash tests; against L’Oreal for testing cosmetics on animals; against the use of fur for fashion and fur farms; against Smithfield Foods for torturing Butterball turkeys; and against fast food chains, most recently against KFC through the launch of their website kentuckyfriedcruelty.com.

They have launched campaigns and engaged in stunts that are designed for media attention. In 1996, PETA activists famously threw a dead raccoon onto the table of Anna Wintour, the fur supporting editor-in-chief of Vogue, while she was dining at the Four Seasons in New York, and left bloody paw prints and the words “Fur Hag” on the steps of her home. They ran a campaign entitled Holocaust on your Plate that consisted of eight 60-square-foot panels, each juxtaposing images of the Holocaust with images of factory farming. Photographs of concentration camp inmates in wooden bunks were shown next to photographs of caged chickens, and piled bodies of Holocaust victims next to a pile of pig carcasses. In 2003 in Jerusalem, after a donkey was loaded with explosives and blown up in a terrorist attack, Newkirk sent a letter to then-PLO leader Yasser Arafat to keep animals out of the conflict. As the film shows, they also took over Jean-Paul Gaultier‘s Paris boutique and smeared blood on the windows to protest his use of fur in his clothing.

The group’s tactics have been criticized. Co-founder Pacheco, who is no longer with PETA, called them “stupid human tricks.” Some feminists criticize their campaigns featuring the Lettuce Ladies and “I’d Rather Go Naked Than Wear Fur” ads as objectifying women. Of their Holocaust on a Plate campaign, Anti-Defamation League Chairman Abraham Foxman said “The effort by PETA to compare the deliberate systematic murder of millions of Jews to the issue of animal rights is abhorrent.” (Newkirk later issued an apology for any hurt it caused). Perhaps most controversial amongst politicians, the public and even other animal rights organizations is PETA’s refusal to condemn the actions of the Animal Liberation Front, which in January 2005 was named as a terrorist threat by the United States Department of Homeland Security.

David Shankbone attended the pre-release screening of I Am An Animal at HBO’s offices in New York City on November 12, and the following day he sat down with Ingrid Newkirk to discuss her perspectives on PETA, animal rights, her responses to criticism lodged against her and to discuss her on-going life’s work to raise human awareness of animal suffering. Below is her interview.

Wednesday, March 1, 2006

The Sizzler Restaurant franchise in Australia has closed the salad bars in all of its 29 restaurants across the country, after rat poison was discovered in food at two of the chain’s outlets in Brisbane. Self-serve salad bars at the restaurants have been closed in response to a sabotage scare. Sizzler Australia Managing Director Bo Ryan said customer safety was always the restaurant chain’s first priority.

A media release on the Sizzler website states: “As a precautionary measure and because customer health and safety is our number one priority, we have temporarily closed salad bars in all Sizzler Restaurants. We sincerely apologise for this major inconvenience.”

Police said green pellets were found in pasta sauce at a Sizzler restaurant in Brisbane’s inner-west on January 20. A regular customer at the Toowong restaurant told Sizzler staff she had found something odd in her bolognese pasta sauce. Similar pellets were found in a vegetable soup at Sizzler’s Myer Centre outlet in the city about 5pm on Saturday.

Bo Ryan said the decision to close all of its Australian salad bars was made after laboratory tests confirmed that the substance in the pasta sauce was indeed rat poison. He said trainees who tasted the poisoned soup had been been taken to hospital by ambulance as a precaution, but had suffered no ill effects.

Queensland Police Inspector Bob Hytch said no one had been reported ill as a result of eating the poisoned food and there had been no extortion threats. Sarah Kenny, a university student, said she and two friends had eaten spaghetti bolognese that “tasted really weird”.

“The inconvenience to customers and the economic impact on the company and its 1600 employees will be severe, but as a family restaurant our first priority is the welfare of our diners,” said Bo Ryan. “Steak and seafood and a limited range of salads would continue to be available.” He hopes that customers will understand the action was taken in their best interests, and that “they can be patient while temporary product security procedures are developed and implemented in all restaurants.”

The 29 Australian Sizzler Restaurants, along with 107 Kentucky Fried Chicken outlets are operated by the Collins Foods Group, a wholly owned subsidiary of Worldwide Restaurant Concepts Inc. Mr Ryan said Sizzler was assessing measures which could be taken to prevent a recurrence of the sabotage. “As soon as new measures are introduced, over and above existing strict protocols, we will reassess the situation,” he said.

Saturday, August 18, 2018

US soul singer Aretha Franklin died in her Detroit, Michigan home on Thursday morning, her publicist Gwendolyn Quinn stated on behalf of the family. According to the statement, the official cause of death was pancreatic cancer.

Per the statement, Franklin died at about 9:50 am local time, “surrounded by family and loved ones. In one of the darkest moments of our lives, we are not able to find the appropriate words to express the pain in our heart. We have lost the matriarch and rock of our family. The love she had for her children, grandchildren, nieces, nephews, and cousins knew no bounds.”

Aretha Louise Franklin was born in Memphis, Tennessee on March 25, 1942. After some time in Buffalo, New York, the family settled in Detroit around 1946. Her father was a preacher, and Aretha sang solos at his church when she was 10. Her mother died that year, having left the family four years earlier. Aretha had her first son before age 13, and recorded gospel music at 14. She contracted in 1956 to JVB Records, with her father’s help, then in 1960 to Columbia Records, and in 1966 to Atlantic Records. At Atlantic she focused on soul and rhythm and blues (R&B), and was highly successful. She acquired the nickname “the Queen of Soul” in 1967. Over the next seven years she was 33 times on the R&B Top Ten list. One of her signature songs, Respect, won her the Grammy Award for best R&B performance in 1968, and she won best R&B performance every year from then through 1975. In 1987 she became the first woman in the Rock and Roll Hall of Fame.

Franklin’s musical career resurged in the 1980s. Her last number-one hit was a 1987 duet with British singer George Michael, I Knew You Were Waiting (for Me). Her last public performance was in November of last year, at an Elton John AIDS Foundation event in New York City. As of June last year, according to Billboard, she was working on an album of collaborations with others, mentioning Stevie Wonder, Elton John, and Lionel Richie.

Franklin’s career was entwined with the civil rights movement. Her father’s politics brought her in contact with Martin Luther King Jr., with whom she toured in the late 1950s. Her father was involved in organizing the 1963 Detroit Walk to Freedom with King, and when King was assassinated in 1968, she sang at his funeral. Respect, and others of her songs, became anthems for the civil rights and feminism movements. She told Vogue magazine in 2015 she didn’t record Respect for a political movement; “Not just me or the civil rights movement or women — it’s important to people. And I was asked what recording of mine I’d put in a time capsule, and it was Respect. Because people want respect — even small children, even babies. As people, we deserve respect from one another.”

She sang at Barack Obama’s 2009 inauguration as President of the United States. On her death, Barack Obama tweeted, “Aretha helped define the American experience. In her voice, we could feel our history, all of it and in every shade — our power and our pain, our darkness and our light, our quest for redemption and our hard-won respect. May the Queen of Soul rest in eternal peace.”

Aretha Franklin is survived by sons Clarence, Edward, Ted, and Kecalf.

Tuesday, August 23, 2011

A former Marsh & McLennan Cos. executive has hit former New York Governor Eliot Spitzer with a $60 million defamation lawsuit over an online magazine article regarding an insurance bid-rigging scandal.

William Gilman, a former Marsh managing director, filed a complaint last Friday in the U.S. District Court in Manhattan, over allegations Mr. Spitzer defamed him in a Slate article published a year ago. A copy of the complaint was made public on Monday.

Gilman, who had a final insurance fraud charge dismissed in January, said Spitzer acted with “actual malice” by suggesting that he was guilty of crimes of which he was never accused.

Although he wasn’t named in the article, Mr. Gilman complained that Spitzer defamed him by writing that “Marsh’s behavior was a blatant abuse of law and market power: price-fixing, bid-rigging and kickbacks all designed to harm their customers and the market while Marsh and its employees pocketed the increased fees and kickbacks.”

“While Mr. Spitzer’s statements do not refer to Mr. Gilman by name, Mr. Gilman is readily identifiable as the subject of the defamatory comments,” said the complaint. “Mr. Spitzer was well aware of his own allegations as attorney general and the resolution of those allegations in favor of Mr. Gilman and yet, recklessly disregarded these facts.”

In 2004 Mr. Spizter, then the state’s Attorney General, announced an investigation into the practices at Marsh & McLennan, particularly fees paid by insures to brokers who place business with them. Gilman, who worked for the company at the time, was charged in 2005 with 37 counts of insurance fraud. Gilman’s final charge was dropped last January.

“I haven’t seen the lawsuit and so will not comment on it,” said Spitzer. “The illegalities rampant at Marsh & McLennan leading to their fine of $850 million and the multiple judicial findings of illegality are clear from the public record.”

Mr. Gilman is now seeking at least $10 million in compensatory damages; $20 million in general damages, including damage to his reputation; and $30 million in punitive damages.

Thursday, March 5, 2009

The small archipelago of Malta in the Mediterranean Sea takes the Eurovision Song Contest very seriously. Leading a fight to remove a cap on the number of competing countries brought them back to the Contest in 1991 after a 16-year absence, and ever since the nation has had perfect attendance.

Since then, Malta’s dependable “shining star” has been Chiara Siracusa, who goes by her first name in her music career. First competing in 1998 at the age of 21, she was pushed to the brink of victory until the votes from the final country that evening leveled her placement to third. Her rendition of the song “The One That I Love,” and the recognition she received not only for herself, but for her country, made her a star in Malta overnight, and helped her launch a singing career in Europe.

She would later return to the Contest in 2005 with “Angel,” an anthem she penned herself, and achieved second place. Now, in 2009, she will be going back to Eurovision for a third try, hoping for the “3-2-1” charm and a victory — something that has eluded her thus far. Her entry, the ballad “What If We,” has special memories for Chiara; it is dedicated to her father, who is recently deceased.

What if Chiara could take home the gold in Moscow; for Malta, for her father, and for herself? Only time will tell. Chiara took time out of her Eurovision promotional schedule to answer some questions from Wikinews’ Mike Halterman about her past performances, and most importantly, her upcoming one.

This is the fourth in a series of interviews with past Eurovision contestants, which will be published sporadically in the lead-up to mid-May’s next contest in Moscow.

((Mike Halterman)) You’ll be going to Moscow for a third try at possibly winning Eurovision. Why did you decide to compete this year? How did your partnership with Marc Paelinck and Gregory Bilsen come about?

Chiara: Well, I met Marc Paelinck long time ago through a friend in Belgium. We started working together and it brought us to this collaboration today. I was thinking of going back to the festival [for a long time] and this year felt like the right year to do so.

((Mike Halterman)) Eurovision fans from across Europe picked you as the wide favorite to win Malta’s preselection this year. Were you as confident? Were you nervous about competing in the semi-final rounds this time around, or did you think this was something you could handle?

Chiara: When I go into a competition, I always go to win, but I was nervous like everyone else…I think [when] you win a festival, [you win] for what you present, not for what your history is.

((Mike Halterman)) Growing up, did you always want to become a singer? Who were your musical influences, and what genres do you think are your favorite? Do you think these preferences have molded you into the singer you are today?

Chiara: Definitely. My mum always says I used to sing and dance for them all the time since I was a baby, and I’ve always loved ballads. In fact, my favourite singer has always been Whitney Houston.

((Mike Halterman)) How did you come to the decision to enter the Eurovision pre-selection for Malta back in 1998? What kinds of feelings did you experience during the path you took to eventual victory in the national final?

Chiara: 1998 was my first time in the festival. I was very young and I felt I could never win it. I wanted just to try and be there with the big names of those times. It was very scary and overwhelming, [and] then I won.

((Mike Halterman)) Did you feel overwhelmed performing in front of an international audience in Birmingham? What kind of personal feelings and emotions made you relate to the song you sang, “The One That I Love”? There were remarks afterwards that your performance was great, but your dress had similarities to Barbara Dex’s from five years before (and she has become well-known for her “fashion don’t”). Looking back on it, what did you think of that dress?

Chiara: Well…looking back I remember that I was completely overwhelmed [singing] in front of so many people. I was very scared but managed to do well. As for the dress, they were different times [back then] and it was beyond my control.

((Mike Halterman)) You came very close to winning the Contest for Malta back in 1998. When you didn’t, how did it make you feel? Did you feel “robbed”? As an addenda, some Wikipedians I’ve talked to have hypothesized that tabloid hype before the event helped Dana International win; in other words, she would not have won had she not been a transsexual. Do you feel that’s true, and did you like her song?

Chiara: I know a lot of Maltese who voted for Dana because they liked the song and for no other reason. The song was good and we still hear it today.

Obviously when you are so close to winning something and you don’t, yes, you feel a bit robbed, but [then there’s] the moment [when] you realise you did well and you are happy.

((Mike Halterman)) After Eurovision, you made a transformation from an unknown singing hopeful to a true recording artist. Tell us a bit about your transformation, and how you felt during this time. Also, around this time you started to perform in concerts and festivals abroad. What was your best memory from this time, when you were performing abroad and people from outside Malta not only knew who you were, but were interested in your life and music.

Chiara: Everything came like rain in my life, from one thing to the other, and before I knew it I became “Chiara of Malta.” I loved it, but I didn’t have much time to think about it. It came quickly; I went to a lot of places and sang with many people but I think what I will always remember is the concert I did with my band, where Seal was as well in the same event, in Frankfurt. It was incredible.

((Mike Halterman)) In 2005, you entered the Contest again, this time with a song you wrote yourself. What is the meaning behind “Angel,” and what kind of story do the lyrics tell about your own life and experiences?

Chiara: “Angel” is a love song and it will always have a special place in my heart. It’s about the love you give someone without wanting anything back, and the unlimited support too.

((Mike Halterman)) You achieved the best placing for Malta in Eurovision history with your performance in 2005. What did you learn from your experiences in 1998 and, in your mind, how did you improve to become more successful in 2005?

Chiara: I think it’s the maturity and the experience. [Through] the years, without knowing, you [gather] so many lessons and behave better and take things a bit more serious and so on.

((Mike Halterman)) Surely you’ve read not only supportive comments, but negative ones as well, particularly concerning your weight. At the same time, however, you have become a role model of sorts for fuller-figured women across Europe, who aren’t accustomed to seeing “people like them” at Eurovision. How did you deal with the negativity, both in the context of the Contest and in your personal life, and what message do you hope to give to full-figured women who look to you for inspiration?

Chiara: Well, I have always been “full figured,” as you put it. I have spent time in my life trying to become as thin as I could, but I could never make it. Through the years I have learnt to accept myself and love me for what I am and how I look. I feel I have nothing less than others and my advice is to be happy with yourself, and love yourself, because you can never get someone to love you if you yourself don’t.

((Mike Halterman)) Tell us about the emotions you convey in the song “What If We.” Every song has a story, so what is the story played out in this song?

Chiara: The story for me with this song is completely about my father. He was the one to contact Marc [Paelinck] and he was the machine behind Eurovision for me, so he’s entirely what this song is about for me and being that he passed away three months ago, well, it makes the song very special when I sing it.

((Mike Halterman)) If you had to absolutely pick one song, which of the three songs you’ve submitted is your favorite, and why?

Chiara: The three songs [each] have a story of [their own]. “The One That I Love” gave me my whole career, my fame and everything I am today so i can never forget it; “Angel” is too special because it’s like my baby, I wrote it myself; and “What If We” is very deep in my heart because of my dad, so I can never choose between them. Sorry!

((Mike Halterman)) What are your plans for after the Contest? What kinds of projects would you like to pursue? Have you considered launching a singing career in the United States?

Chiara: My immediate project after the festival is an album which I have already started working on, in my style [which] is completely ballads, then wherever that takes me I’ll go, [whether it be] the U.S. or elsewhere.

((Mike Halterman)) Finally, what would you like to tell all of your fans, awaiting your performance this May in Moscow?

Chiara: I would like to thank them for the ongoing support they have always showed me, and promise them I will give them my all on the performance night in Moscow.

Tuesday, March 22, 2005

Police organized a search in the Sydenham Park area of south-east London after a local, Anthony Holder, was attacked by a 6ft long black animal while looking for his kitten in his back yard that borders a woodland.

Holder said the animal pounced, knocked him to the ground, and then he was “in its claws for about 30 seconds. Its teeth were out and I tried to defend myself and eventually I got the thing off my body.” Holder was scratched all over his body and suffered swelling and bruising to his hand and the back of his head. He called the police at about 2:15 am while the animal sat in the garden next door.

While Holder was being treated by paramedics, the Metropolitan Police conducted a search of the area. A citizen and a police officer saw the creature, believed by some to be a panther. Another officer also believed he saw the animal and reports it as approximately the size of a Labrador Retriever. The neighbourhood is being patrolled by an armed police response vehicle staffed by officers equipped with rifles and Taser stun guns.

Scotland Yard is currently seeking specialist advice from experts from the RSPCA and London Zoo. A spokeswoman said: “We are trying to establish exactly where the animal may have come from. In the meantime we are asking the public to be vigilant. If anyone does see the animal, do not approach it but dial 9-9-9 immediately.”

People are also being advised to keep pets indoors.

Sightings of big cats have increased in recent years. The notion of a large predator in London was initially dismissed by scientists, but evidence from footprints and droppings has led to other conclusions. The British Big Cat Society estimates 50 to 100 are currently loose across England. Livestock has supposedly been attacked a number of times. Farmers near Burford in Oxfordshire have offered a £5,000 reward for the capture of a large black creature suspected of killing livestock in the area. However, there have been virtually no human encounters.

Friday, January 25, 2013

A Pakistani-American has been sentenced today to 35 years in prison for assisting and helping plan the 2008 attack in Mumbai leaving dead 166 people.

The 52 year old, David Coleman Headley, pleaded guilty in a US federal court in Chicago and co-operated in order to stop the death penalty and being extradited to India for trial. RK Singh, the Indian Home Secretary indicated that the Government would still be requesting his extradition to India.

The Mumbai attackers arrived via boat on Novemeber 26, 2008, bringing with them grenades, automatic weapons and hit multiple targets including the crowded Chhatrapati Shivaji Terminus railway station and the famous Taj Mahal Hotel. David Headley’s scouting and information gathering had helped to enable the operation by the 10 gunmen from the Pakistani militant group Laskhar-e-Taiba. The attack put a huge strain on relations between India and Pakistan.

“I don’t have any faith in Mr Headley when he says he’s a changed person and believes in the American way of life,” said the sentencing judge, Harry Leinenweber.